Archive | August, 2019

Middelboe Chronicles, Part 26: Joseph

From one Biblical captive and interpreter of kings’ dreams to another, we pass from Daniel to Joseph (“Testament: The Bible in Animation,” 1996):

From a libertarian economic standpoint, there’s something a bit dodgy about Joseph’s story: “A famine is coming, Sire! We must institute central economic planning!” [seven years later] “Oh look, we have a famine.”

Joseph’s story is also a version of the Oedipus / Samarra paradox: what the brothers do to prevent the prophecy from coming true is exactly what leads to the fulfillment of the prophecy.

And while we’re on the subject of Joseph, it turns out that the entire film of the Andrew Lloyd Webber musical version, with nearly every song in a different musical genre (and with Dutch subtitles, because je kunt nooit teveel Nederlands hebben, heb ik gelijk?) is online:

I’m particularly fond of the performances of Jeff Blumenkrantz and Maria Friedman in this.

And as a bonus, here’s a clip of Ben Kingsley as Potiphar in yet another version of Joseph:

The downside of casting Ben Kingsley as Potiphar is that you don’t really remember any of the other characters. But the positive side is – Ben Kingsley!


SciFi SongFest, Songs 72-73

We scanned the skies with rainbow eyes
and saw machines of every shape and size
we talked with tall Venusians passing through ….

Citizens of the universe, recording angels
we have returned to claim the pyramids
partying on the mothership ….

72. David Bowie, “Memory of a Free Festival” (1970):

73. Parliament, “Mothership Connection” (1975):


Middelboe Chronicles, Part 25: Daniel

More enchanted lions – this time, enchanted on behalf of the Biblical prophet Daniel (“Testament: The Bible in Animation,” 1996). This one has an interesting modern-day framing device that poses questions about the desirability and limits of Jewish assimilation into Gentile society:

This animated version also ends with Daniel pleading for clemency toward those who had accused him, and for “mercy and forgiveness for all, and deliverance for all people everywhere” – though whether this plea is granted or refused goes unmentioned. By contrast, in the original Biblical story, “the king commanded, and they brought those men which had accused Daniel, and they cast them into the den of lions, them, their children, and their wives; and the lions had the mastery of them, and brake all their bones in pieces” – and Daniel raises not a peep of protest.

Incidentally, while I’ve been calling this Russian-Welsh series of animated versions of classic stories the “Middelboe Chronicles,” from the involvement of Penélope Middelboe as one of the main people behind the series, I notice that her name is often paired with that of Martin Lamb, to an extent that suggests that these should really be called the “Lamb-Middelboe Chronicles.”

However, it’s too late to change it now; for the law of the Medes and Persians is, That no decree nor statute which the king establisheth may be changed.


SciFi SongFest, Songs 70-71

Two songs about apocalypse and mass death. Bowie’s was inspired by the Chernobyl incident.

70. David Bowie, “Time Will Crawl” (1987):

Some inventive choreography here:

71. Honeydogs, “10,000 Years” (2004):


Middelboe Chronicles, Part 24: The Enchanted Lion

From yesterday’s enchanted tiger to today’s Enchanted Lion (“Animated Tales of the World,” 2002) – this story is purportedly German, but is clearly a close cousin of the French tale Beauty and the Beast:

The condition that the father sacrifice the person who first greets him when he arrives home also shows up both in the Biblical story of Jephthah’s daughter (Judges 11:30-40) and in the Greek story of Idomeneus.


SciFi SongFest, Songs 68-69

Two songs inspired by Ray Bradbury stories:

68. David Bowie, “Karma Man” (1970):

69. Hawkwind, “Fahrenheit 451” (1982):


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