Archive | July, 2019

Middelboe Chronicles, Part 11: Persephone

In yesterday’s installment, Das Rheingold, the result of the giants’ abducting Freya with her apples of youth is that old age begins to fall upon the Asgardian gods, and cannot be reversed until she is returned. (Wagner is here mashing together two different legends, that of Freya’s betrothal to the giant with that of Loki’s abduction of Idunn with her apples of youth.) Likewise in the Greek myth of “Persephone” (2002; “Animated Tales of the World”) the result of the god of the underworld’s abducting the daughter of the goddess of fertility is that winter falls upon the world, and likewise cannot be reversed until she is returned.

This version of the story incidentally makes Persephone rather more cheerful about her abduction than she is in the original myth, where she refrained from eating as long as possible in order not to be trapped in Hades’ realm, and succumbed to eating the pomegranate seeds only out of hunger.


Middelboe Chronicles, Part 10: Rhinegold

One Ring for the Dwarf Lord in his hall of stone ….

As different as they seem, Oberon/Auberon, the king of the fairies in British and French folklore (and thus in Shakespeare’s Midsummer Night’s Dream), originates as a variation on Alberich, the dwarf king of Germanic folklore, whom Richard Wagner in turn combined with the Icelandic dwarf Andvari in his operatic mashup of Germanic and Icelandic versions of Norse mythology together with the Rhinemaiden legend, the Hesperides legend, and Feuerbachian and Schopenhauerian philosophy, in his Ring Cycle which kicks off with Das Rheingold, here adapted in 1995 as part of the “Operavox” series:

The visual portrayal of the Rhinemaidens may be influenced by Arthur Rackham’s:

Freya, by contrast, looks as though she stepped out of a 1970s sword-and-sorcery comic:

And Loge (Wagner’s mash-up of Loki the trickster-god with Logi the fire-god) strongly resembles the Marvel Comics trickster character, the Impossible Man:


SciFi SongFest, Songs 40-41

Two songs about trying to survive after the apocalypse:

40. David Bowie, “Sunday” (2002):

41. Talking Heads, “Life During Wartime” (1979):


Middelboe Chronicles, Part 9: A Midsummer Night’s Dream

The location of A Midsummer Night’s Dream (from “Shakespeare: The Animated Tales,” 1992) is purportedly ancient Greece (specifically Athens, during the preparations for the wedding of Theseus and Hippolyta), but the fairies who populate the nearby woods are all drawn from the Celtic and Germanic folklore of northern Europe, which makes this a natural segue from the tale of Fionn mac Cumhaill; and the hostility between the estranged king and queen of the fairies and their struggle for control over the Indian prince resembles the hostility between Mozart’s Sarastro and the Queen of the Night, and their struggle for control over Pamina, from before that.

The artistic style for this one reminds me a bit of Gahan Wilson.


SciFi SongFest, Songs 38-39

These are the mystical voyages ….

38. David Bowie, “Did You Ever Have a Dream?” (1967):

39. Jon Anderson, “Flight of the Moorglade” (1976):


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