[cross-posted at Liberty & Power]
Four Black History Months ago I blogged about Alexandre Dumas’s neglected status as a black writer. France’s most commercially successful writer, the author of The Three Musketeers and The Count of Monte Cristo was also the grandson of a freed Haitian slave; in response to a racial insult he once responded: “It is true. My father was a mulatto, my grandmother was a negress, and my great-grandparents were monkeys. In short, sir, my pedigree begins where yours ends.”
I’m happy to see that Georges, the Dumas novel that most directly addresses issues of race, is now back in print in a new English translation. For a plot summary see here.
It would be fun to see a conference on issues of race and slavery in French romantic literature, organised around Dumas’s Georges, Hugo’s Bug-Jargal (which I see is also out in a new translation), and Verne’s A Captain at Fifteen (which desperately needs a new translation).
A great badness has entered the world; or rather, a great goodness has left it. (Well, Augustine would say those come to the same thing.) I notice that Amazon.com seems to have entirely eliminated its “Look Inside” and “Search Inside” options.
My very first publication, a 1992 
After Sara Tancredi’s head showed up in a box, I thought for a while that Prison Break had jumped the ichthyosaur. But the plot twists and character dynamics of the last few episodes have lured me in again.