The theme of unreasonable rulers continues with Elijah (“Testament: The Bible in Animation,” 1996). The music is from Mendelssohn’s Elijah Oratorio.
The irony of the Jehovah/Ba’al rivalry is that they appear, from most of the historical evidence, to have originally been the same god under different names, like Jupiter and Zeus, or Odin and Woden.
In popular culture, the name “Jezebel” is most associated with Frankie Laine’s song:
Back in the 1970s in San Diego, my grandmother once shared a cab with Frankie Laine. She only vaguely knew who he was, and he of course had no idea that this sweet little old lady was herself “a devil … born / without a pair of horns.” He gave her free tickets to his show, but she didn’t go. (It didn’t occur to her to give the tickets to, say, her daughter and grandson.)
Stay away from the future
back away from the light
it’s all deranged
no control ….
I shall live my life on bended knee
if I can’t control my destiny ….
I believe I can see the future
’cause I repeat the same routine
I think I used to have a purpose
then again that might have been a dream ….
I just do what I’ve been told
I really don’t want them to come around ….
93. David Bowie, “No Control” (1995):
94. Nine Inch Nails, “Every Day Is Exactly the Same” (2005):
Welcome to what may be the most universally hated Bowie song:
It seems only cosmic justice to pair “The Laughing Gnome” with this other unbeloved classic:
91. The Go-Go’s, “I’m Gonna Spend My Christmas With a Dalek” (1964):
No, these are not the Go-Go’s you’re thinking of.
The only good part of this song is the bit that’s swiped from the 1959 Peter Gunn theme:
Plus you can tell these Daleks are inauthentic, because they ask for plum pudding. Everybody knows that what Daleks want is rice pudding and plenty of it:
92. Who Cares?, “Doctor in Distress” (1985):
After “The Laughing Gnome” and “I’m Gonna Spend My Christmas With a Dalek,” this other much-hated Doctor-Who-related song – part of an effort to save the show from cancellation – seems like a masterpiece in comparison. And at least it’s sound on the Dalek question.
“When they were faced with danger, they didn’t run”? Really? Because I’m pretty sure that frantic running (usually down corridors or through rock quarries) has been a staple of the show from the beginning.
See the great white scar
over Battery Park ….
all the corners of the buildings
who but we remember these?
– though as usual with Bowie lyrics it seems to be about other things as well, given the multiple possible meanings of “new killer / nuclear” and “star.”
89. Angie Aparo, “Spaceship” (2000):
No particular thematic linkage between today’s two songs, I’m afraid, apart from the use of sci-fi tropes to comment on contemporary society:
85. David Bowie, “Future Legend / Diamond Dogs” (1974):
The line “Fleas the size of rats / sucked on rats the size of cats” is reminiscent of the gigantic mutated animals in H. G. Wells’ story Food of the Gods:
The line “With your silicone hump and your ten-inch stump” is reminiscent of William S. Burroughs’s reference to “electronic attendants who carry the weapons that are screwed into their stumps” in The Wild Boys: A Book of the Dead. (Bowie mentioned Burroughs as an influence on the song.)
Bowie and Burroughs, before reading my blog
Bowie and Burroughs, after reading my blog
The line “Hunt you to the ground they will / mannequins with kill appeal” is reminiscent of the deadly animated store mannequins in the Third Doctor story “Spearhead From Space” (1970):
The line “ten thousand peoploids split into small tribes / coveting the highest of the sterile skyscrapers” anticipates J. G. Ballard’s 1975 novel High-Rise (as well as the Seventh Doctor story based on it, 1987’s “Paradise Towers”):
The line “The Halloween Jack is a real cool cat / and he lives on top of Manhattan Chase / the elevator’s broke, so he slides down a rope / onto the street below” anticipates Tyler Durden’s prophecy in Fight Club: “You’ll climb the wrist-thick kudzu vines that wrap the Sears Tower”:
The line “This ain’t rock and roll! This is genocide!” anticipates the line “This ain’t no party! This ain’t no disco! This ain’t no fooling around!” from the Talking Heads’ 1979 song “Life During Wartime” (featured in an earlier installment of this SciFi SongFest, but the live version below is more fun than the version I posted before – indeed this is one of my favourite videos in this SongFest):
I don’t think David Byrne gets enough exercise though.
86. Michael Jackson, “Thriller” (1982):
From Bowie’s “Diamond Dogs” with “red mutant eyes” that “hide between trees” and “hunt you to the ground,” it seems a short step to the lines in Jackson’s song:
Creatures crawl in search of blood
to terrorize y’all’s neighborhood ….
Stand and face the hounds of hell
and rot inside a corpse’s shell
And Vincent Price’s spoken section for “Thriller” likewise parallels Bowie’s spoken intro for “Future Legend / Diamond Dogs.”
The line “There’s no escaping the jaws of the alien this time” is an obvious reference to 1979’s Alien, but perhaps a reference to 1975’s Jaws as well.
The music video for “Thriller” is both an extended homage to 1957’s “I Was a Teenage Werewolf” (as well as to various zombie movies) and a major influence on 1985’s “Teen Wolf.” The way Jackson breaks through the door may also be a nod to The Shining.
It is a great weight off my mind to know that Michael Jackson did not endorse a belief in the occult.
87. Jon Pertwee, “Who Is the Doctor” (1972):
Finally, what with Doctor Who references and songs with spoken-word sections, it’s a natural segue to this spoken-word Doctor Who song, from Jon Pertwee, the Third Doctor. The music is from Delia Derbyshire’s iconic arrangement of Ron Grainer’s Doctor Who theme:
Two songs of unreachable utopias. Both more fantasy than science fiction – but I warned you from the start that my application of the rules would be somewhat relaxed.
83. David Bowie, “When I Live My Dream” (1967):
I also never promised all the songs would be good. Some of Bowie’s pre-“Space Oddity” work is kinda bland:
84. Donovan, “Atlantis” (1968):
Know, O prince, that between the years when the oceans drank Atlantis and the gleaming cities, and the years of the rise of the Sons of Aryas, there was an Age undreamed of, when shining kingdoms lay spread across the world like blue mantles beneath the stars ….
