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The Storm Fiend Did Loudly Bray

Tay Bridge collapseOn a stormy winter night in 1879, the bridge over the Firth of Tay collapsed while a passenger train was crossing it (thus prompting the cancellation of the builder’s contract to complete a similar bridge over the Firth of Forth).

Adding insult to injury, the Scottish poet William McGonagall quickly commemorated the disaster with a remarkably bad poem.

Opinions differ as to whether McGonagall’s badness was deliberate and conscious (in the manner of William Shatner’s song stylings, perhaps) or merely the product of incompetence.

Anyway, read the poem if you dare.


Zoo Story

Rebecca West on John Maynard Keynes:

He closely resembled a handsome, elderly seal, in the long fluence of his outline, the sinuosity of his strength, the roundness of his brow, and the projection of his gray moustache. Had his destiny placed him on a rocky eminence in a zoo, he would have caught the fish that an entranced public would certainly have thrown him in unprecedented amounts, with a dexterity all his own. (“From England,” Harper’s, June 1946.)

Seal and Keynes


Liberty 5-3000, Meet Pennsylvania 6-5000

Has anyone noticed before that the names in Anthem are all in the format of old-style telephone exchanges?

Also, Directive 10-289 from Atlas can be converted to the same format just by shifting the hyphen.

Now all we need is a song titled “Union 7-5309.”


Float Time

boat floating in water but appearing to float in airA lot of Randians seem to think that the phrase and concept “floating abstraction” is specific to Rand; but in fact the term “floating abstraction” (or, more commonly, “free-floating abstraction”), often (though not always) meaning something actually fairly close to what Rand meant by it, is quite common in Continental and leftist thought, showing up in Marxist, feminist, phenomenological, and postmodernist discourse.

I don’t know whether this is a coincidence or whether there was influence – or, if so, in which direction. It would be interesting to know which came first, but I’m not sure how old either version is. The oldest use I could find online for “free-floating abstraction” was from Kathleen Nott in 1969 (but I didn’t search at much length); Rand was already using “floating abstraction” at least as early as 1961 (in For the New Intellectual) and probably earlier. (It’s also in Branden’s Principles lectures (as transcribed in The Vision of Ayn Rand), the earliest version of which was recorded in 1958, but I don’t know which year the text in Vision comes from; and Atlas Shrugged seems to be working toward the concept in Galt’s reference to “the words with rubber meanings, the terms left floating in midstream.”)


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