In my latest YouTube video, I show you around my childhood neighbourhood in San Diego (Sunset Cliffs and Ocean Beach, in Point Loma).
Tag Archives | Agoric Cafe
Continuing the San Diego bookstore series, I chat with Sean Christopher, founder of LHOOQ Books / Exrealism, a unique bookstore with a once and future San Diego location (though currently located in a renovated armory in Astoria, Oregon). This episode in particular should appeal to anyone with an interest in bookstores, art, literature, etc., even if they have no special interest in San Diego (or Astoria).
By the way, I stripped out the soundtrack from the five-minute video at the end (on renovating the Astoria Armory), in order to avoid a musical copyright claim – but still got hit by a copyright claim for the background music on the 15-second clip at the beginning. So that soundtrack is muted now too.
First in a series on indie bookstores in the San Diego area (my hometown)! In this episode, I chat with Matthew Berger, new co-owner of Mysterious Galaxy (website; facebook page), a bookstore featuring titles in science fiction, fantasy, mystery, horror, etc., as well as merchandise, podcasts, author events, etc.
Cory Massimino and I are organising a virtual reading group in January-February 2021 on the individualist anarchists of 19th-century America; details in the video. Join us, if you voluntarily choose to do so; the free-for-all is free for all:
Czech out this exclusive! expanded! three-part version of my 2019 Prague lecture on “Austro-Libertarian Themes in Three Prague Authors: Čapek, Kafka, and Hašek.”
(See the descriptions on YouTube for links to various items mentioned in my three discussions.)
In Part 1, on Karel Čapek (1890-1938), I discuss: intelligent, morally ambiguous salamanders; rebellious, morally ambiguous robots; the effects on supply and demand of unleashing the Absolute; a critique of the labour theory of Labour Day; the geometrical logic of imperial expansion; why police detectives have no interest in mysteries; the merits and demerits of government theme parks devoted to the preservation of Czech folkways; the magic word by means of which the English protect their property; why God can only be a witness and never a judge; the role of clumsiness in advancing civilisation; the benefits and hazards of replacing feet with wheels; inspirational workplace posters suitable for shackled newts; how I ran into one of Čapek’s robots in the lounge of the Auburn Hotel and Conference Center; and the crucifixion of Christ as a sensible protectionist measure.
Note: contrary to what I say in the video, I believe that the R.U.R. cover designed by Čapek’s brother Josef is not the one I show there, but instead this (rather better) one:
Incidentally, Josef Čapek also designed this Kropotkin cover:
On the subject of corrections, I think it may actually have been Paul Cantor rather than Ralph Raico who was in the company of my old stage partner in the Mises conference anecdote I tell. I’m not sure. Jeez, my memory is crap these days. Um, what was I saying?
In Part 2, on Franz Kafka (1883-1924), I discuss: theological versus political readings of Kafka’s vision of elusive, perpetually deferred authority; bureaucracy as hopelessly incompetent and out-of-touch, versus bureaucracy as all-pervasive surveillance; the dependence of rulership on those who rule; Stoic versus anti-Stoic readings of Seneca’s Medea; discovering Kafka through Marvel Comics (or not); and remembering Kropotkin but forgetting Nietzsche’s umbrella.
On second thought I don’t think the April 1982 issue of Epic Illustrated can have been my introduction to Kafka after all, as Dartmouth was running an Orson Welles film festival which I attended while I was living in Hanover NH, 1977-1981, which certainly included The Trial.
Speaking of which, here are some clips from the Welles movie:
I also meant to include this passage from Kafka on his own bureaucratic career (oh well): “What a fine thing it is to be a clerk at a town hall! Little work, adequate salary, plenty of leisure, excessive respect everywhere in the town …. and if I only could, I should like to give this entire dignity to the office cat to eat ….” (Still, at least his office had a cat; that seems like some solace.)
In Part 3, on Jaroslav Hašek (1883-1923), I discuss: the perversities of bureaucratic incentives; the state as a parasite on private crime; the importance of providing every voter with a pocket aquarium; the dangers of displaying, or not displaying, portraits of the Emperor; access to one lavatory as a bribe for permission to reopen another lavatory; electoral campaigns as anarchist street theatre; justice in canine nomenclature; what happens when criminals go on strike; the forgotten economic costs of farting; the ethical, logistical, and grammatical aspects of assassinating Archduke Ferdinand; my success and the Soviets’ failure in deciphering Czech signage; and the economic transaction that I conducted with a nun in the men’s room of the Vatican.
And finally, here’s a clip from the movie version of Hašek’s novel The Good Soldier Švejk:
[cross-posted at POT]
Do I plan to vote in the upcoming (November 2020) election? If so, for whom, and why? Or if not, then why not? If these questions have been keeping you anxiously awake at night, answers are gloriously at hand!