Archive | 2009

Geographiction?

The Wikipedia page for Jules Verne’s novel Around the World in Eighty Days comments that “Verne is often characterised as a futurist or science fiction author, but there is not a glimmer of science-fiction in this, his most popular work.”

Earth

Well, there is no generally agreed-upon definition of science fiction (see this list of proposed definitions; my own view is that it’s a family-resemblance concept for which no precise definition should be expected). Some definitions do require that the story’s milieu be different from our own as the result of scientific or technological advances – and by that standard Around the World indeed does not count as science fiction. But at least one popular definition or family of definitions focuses merely on the idea of a story that depends crucially on some point of science – without necessarily involving extrapolation to some alternative milieu. Given that the plot of Around the World turns on the fact that one gains or loses a day when crossing the international date line, the novel thus does count as science fiction by some definitions (geography being, y’know, a science), so the “not a glimmer” line is something of an exaggeration – perhaps yet another example (see here and here) of the bizarre resistance on the part of some Verne fans to seeing Verne characterised as a science fiction writer. At any rate, those who make these pronouncements seem oddly incurious about what the proper contours of the concept of science fiction might be.

I would add that Verne’s Captain Hatteras, generally not considered sf, has even greater claim than Around the World to the category, since it portrays a successful expedition to the North Pole at a time when this had not yet happened, and speculates (inaccurately, but not impossibly) as to what would be found there – thereby turning (unlike Around the World) not just on a point of science but on an extrapolated future development of a science (viz. geography); and similar remarks apply to Five Weeks in a Balloon and Measuring a Meridian. Those who deny it the title of sf are implicitly assuming, I suspect, that the only relevant extrapolations of science are those that involve new technology.


IP Query

anarchy vs. copyright

A question for IP experts: What is the legal status of falsely claiming copyright?

I often see reprints of works that are definitely in the public domain, stamped by their publishers with a current copyright (with no qualification as to what’s being copyrighted, e.g., no restriction to a new introduction or to new illustrations – and often there’s no such new material in any case).

Given that such copyright notices could be interpreted as implying a threat of force that is regarded as illegitimate even under current IP law, is there any law against what they’re doing? Are they vulnerable to any sort of cease-and-desist order? Or are false copyright notices just regarded as harmless speech until they make an effort to enforce them?


Six Hours of Your Life That You’ll Never Get Back

DESTROY THIS MAD BRUTE -- ENLIST

Today commemorates the day that thousands lost their lives during the six hours after an end to World War I had been officially agreed to through negotiation, because the powers that be wanted the symbolism of ending the war at 11:00 on 11/11 (hell, why not 11:11 on 11/11?); see World War I: Wasted Lives on Armistice Day. (CHT Jesse Walker.)

Of course, the lives that were lost in World War I before Armistice Day were pretty much wasted too; but at least it was pretended (on both sides) that those lives were lost in the service of some cause of great significance – democracy, or Kultur, or an end to all further war. By contrast, on Armistice Day the pointlessness of all the mass slaughter, along with the attitude of the powerful to those under their control, was revealed without disguise, in all its naked unloveliness. Happy Armistice Day.


The Butler Did It

Butler Shaffer notes some corrections here to his list of pen names, but I have a few more corrections to add:

Jousting with pens

Mary Wollstonecraft (not “Woolstonecraft”) was Mary Shelley’s mother, not her secret identity. Shelley was the daughter’s married name. Although her maiden name was Godwin, not Wollstonecraft, Mary Shelley went by “Mary Wollstonecraft Shelley,” so this may be another case of a middle-name-mistaken-for-real-last-name.

“Ovid,” “Horace,” “Vergil,” and “Livy” aren’t pen names, since they never called themselves by those names; those are just the English versions of their names (just as, e.g., “Aristotle” and “Jesus” are the English forms of “Aristoteles” and “Yeshuah”).

“Montesquieu” wasn’t Charles Secondat’s pen name, it was his title of nobility: he was Charles Secondat, Baron de Montesquieu. (Like “John Clayton, Lord Greystoke.”) Ditto, mutatis mutandis, for Lord Kelvin.

(Also – does a name count as a pen name if one adopts it as one’s legal name? I believe Alisa Rosenbaum legally changed her name to Ayn Rand (to protect her family in Russia).)


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