Lapsus Linguae

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The late Michael Kreca’s article “The Needless US Pacific War with Japan,” posted on LRC today, begins like this:

Rudyard Kipling

Rudyard Kipling

East is East and West is West and never the twain shall meet…” – Rudyard Kipling

When Kipling penned those immortal words during the height of Pax Britannia in the 19th century, he believed East and West were so different in their respective civilizations and outlook that there would be no basis for any real understanding between the two hemispheres. True or untrue, at the times they each have met, it has often sadly been in the cauldron of warfare …

Okay, but two quibbles. First, the “East” in Kipling’s poem refers to the Muslim world, not to East Asia; and second, the whole point of the poem is to deny that there is “no basis for any real understanding” between the two cultures – instead, the reiterated message of Kipling’s poem is that “there is neither East nor West, border, nor breed, nor birth, when two strong men stand face to face, tho’ they come from the ends of the earth.”

(Needless to say, Kipling is not exactly consistent in maintaining this attitude of equality and mutual respect between cultures; indeed he’s probably best known for his jingoistic imperialist side. But he had other sides as well.)

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Before Ken MacLeod pointed to this video, about the Haitian response to Robertson’s garbage, I’d never actually heard the exact words of Robertson’s remark:

 
Notice, then, that one of Robertson’s claims is that the Haitians (who revolted in the 1790s) had been under the rule of Napoleon III (who came to power in 1851).

Well, Robertson does say “Napoleon III or whatever,” so I guess his statement is saved by its second disjunct.

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Criminals are a superstitious, cowardly lot, so my disguise must be able to strike terror into their hearts. Hence I shall become that terrifying creature of the night ... the ROBIN!

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Check out Kevin Carson on Rachel Carson, DDT, and global warming. (And don’t miss ex-agorist J. Neil Schulman’s creative interpretive stylings in the comments section.)

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Check out Charles’ latest Freeman article, this one on the healthcare debate.

(The title of this blog post comes from a piece by Richard Mitchell.)

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Following a link from Tom Knapp, I took a look at Darcy Richardson’s book Others: Third-Party Politics From the Nation’s Founding to the Rise and Fall of the Greenback-Labor Party via Amazon’s “look inside” feature, and found a chapter titled – in gigantic, hard-to-miss font – “Spoilers: Third-Party Candidates Wreck Havoc on the Two-Party System.”

Admittedly, the publisher is iUniverse, so one doesn’t really expect a big budget for proofreading. Still, this wreaks to high heaven ….

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I came from a real tough neighborhood.
I put my hand in some cement and felt another hand.

– Rodney Dangerfield

the bricks of society

According to Simon Read, in Everything You Ever Wanted to Know About Anarchism, But Were Afraid to Ask: “The English anarchist Colin Ward calls anarchism the cement that holds the bricks of society.”

That’s a great line, paradoxical-sounding but true (though I usually quote it as “Anarchy is the glue that holds society together”). It’s a more succinct, and more radical, version of Paine’s “Great part of that order …” passage. (See also Emerson’s “hooks and eyes” line.) But where, exactly, does Colin Ward say it – if he does?

After looking through some Ward books I own and doing some internet searches (as well searches through Ward’s books via Amazon’s “look/search inside” feature), I can’t find any place where he says this – though I did find a passage assigning the social-cement role to human solidarity, and another assigning it to music-making.

Can any of my readers recognise/confirm/disconfirm this quote?

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The Wikipedia page for Jules Verne’s novel Around the World in Eighty Days comments that “Verne is often characterised as a futurist or science fiction author, but there is not a glimmer of science-fiction in this, his most popular work.”

Earth

Well, there is no generally agreed-upon definition of science fiction (see this list of proposed definitions; my own view is that it’s a family-resemblance concept for which no precise definition should be expected). Some definitions do require that the story’s milieu be different from our own as the result of scientific or technological advances – and by that standard Around the World indeed does not count as science fiction. But at least one popular definition or family of definitions focuses merely on the idea of a story that depends crucially on some point of science – without necessarily involving extrapolation to some alternative milieu. Given that the plot of Around the World turns on the fact that one gains or loses a day when crossing the international date line, the novel thus does count as science fiction by some definitions (geography being, y’know, a science), so the “not a glimmer” line is something of an exaggeration – perhaps yet another example (see here and here) of the bizarre resistance on the part of some Verne fans to seeing Verne characterised as a science fiction writer. At any rate, those who make these pronouncements seem oddly incurious about what the proper contours of the concept of science fiction might be.

I would add that Verne’s Captain Hatteras, generally not considered sf, has even greater claim than Around the World to the category, since it portrays a successful expedition to the North Pole at a time when this had not yet happened, and speculates (inaccurately, but not impossibly) as to what would be found there – thereby turning (unlike Around the World) not just on a point of science but on an extrapolated future development of a science (viz. geography); and similar remarks apply to Five Weeks in a Balloon and Measuring a Meridian. Those who deny it the title of sf are implicitly assuming, I suspect, that the only relevant extrapolations of science are those that involve new technology.

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Butler Shaffer notes some corrections here to his list of pen names, but I have a few more corrections to add:

Jousting with pens

Mary Wollstonecraft (not “Woolstonecraft”) was Mary Shelley’s mother, not her secret identity. Shelley was the daughter’s married name. Although her maiden name was Godwin, not Wollstonecraft, Mary Shelley went by “Mary Wollstonecraft Shelley,” so this may be another case of a middle-name-mistaken-for-real-last-name.

“Ovid,” “Horace,” “Vergil,” and “Livy” aren’t pen names, since they never called themselves by those names; those are just the English versions of their names (just as, e.g., “Aristotle” and “Jesus” are the English forms of “Aristoteles” and “Yeshuah”).

“Montesquieu” wasn’t Charles Secondat’s pen name, it was his title of nobility: he was Charles Secondat, Baron de Montesquieu. (Like “John Clayton, Lord Greystoke.”) Ditto, mutatis mutandis, for Lord Kelvin.

(Also – does a name count as a pen name if one adopts it as one’s legal name? I believe Alisa Rosenbaum legally changed her name to Ayn Rand (to protect her family in Russia).)

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Plotinus by Raphael

Plotinus by Raphael

Rothbard was a smart guy, but man, he really didn’t know anything about Plotinus.

Now it’s no crime to be ignorant of Plotinus – but as Rothbard himself says, it’s a bad idea to have a “loud and vociferous opinion” on things one is ignorant of. And unfortunately, Rothbard – evidently through reliance on Thomas Molnar and Leszek Kolakowski, neither of whom apparently knew a damn thing about Plotinus either – has uncritically picked up some loud and vociferous opinions on Plotinus.

Plotinus says that God, or the One, is “self-sufficing” and “utterly perfect above all,” and that it creates out of a kind of overflowing fullness, because it does not “grudge … to give of itself.”

But according to Rothbard, Plotinus’s view is that God is imperfect and “creates the universe out of loneliness, dissatisfaction, or …. felt need.”

Moreover, Rothbard tells us that according to Plotinus, “creation, instead of being wondrous and good, is essentially and metaphysically evil,” and that redemption will not come until the “painful state of creation is … over.”

By contrast, here’s what Plotinus actually says about the goodness of creation:

To those who assert that creation is the work of the Soul after the failing of its wings, we answer that no such disgrace could overtake the Soul of the All. … We assert its creative act to be a proof not of decline but rather of its steadfast hold. … And when will it destroy the work? If it repents of its work, what is it waiting for? If it has not yet repented, then it will never repent: it must be already accustomed to the world, must be growing more tender towards it with the passing of time. … What reflection of that [intelligible] world could be conceived more beautiful than this [material world] of ours? What fire could be a nobler reflection of the fire there than the fire we know here? Or what other earth than this could have been modelled after that earth? And what globe more minutely perfect than this, or more admirably ordered in its course could have been conceived in the image of the self-centred circling of the World of Intelligibles? And for a sun figuring the Divine sphere, if it is to be more splendid than the sun visible to us, what a sun it must be.

So is Plotinus a “reabsorption theologian”? Sure, in some sense. But Plotinus is constantly trying to reconcile the sense in which creation needs to be transcended with the sense in which it needs to be embraced – just as, y’know, orthodox Christianity does too. (And although the Gnostics are interestingly different from Plotinus, what Rothbard says doesn’t apply to them either – mainly because for them, while the material universe is indeed evil (by contrast with Plotinus), God does not create the material universe, and so a fortiori does not create it out of a lack of self-sufficiency – and the immaterial universe that God does create is not evil.) Reabsorption theology is a lot more subtle and nuanced than the cartoon version you’re going to get if you’re relying on a Catholic apologist who wants to use it as a cudgel to beat the Gnostics with and a postmodernist who wants to use it as a cudgel to beat the Marxists with.

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